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June 22, 2007


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At the time I knew very little about hypnosis and it never crossed my mind to use it in a film until I started to think about the story I had before me, one about collective madness, one that calls for these characters to be aware of the catastrophe that is approaching, yet one they continue to walk straight into. I wondered how I could stylize everyone who, almost like sleepwalkers with open eyes, as if in a trance, were walking into this foreseeable disaster.

I wanted actors with fluid, almost floating movements, which meant the film would seem to depart from known behaviour and gestures and would have an atmosphere of hallucination, prophecy and collective delirium that intensifies towards the end. Under hypnosis the identities of the actors would remain intact, but they would now be stylized.

Maybe the title Heart of Glass makes more sense in this light. It seems to mean for me an extremely sensitive and fragile inner state, with a kind of transparent glacial quality to it.

Did you ever get it filmed? Timely.

Werner beat me to it...  :-)

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